One of the many faces on the cover of Buffalo Spree’s film issue is Marilyn Monroe, who famously starred in 1953’s Niagara. As I write in the issue (and below), it’s an odd picture, but certainly an interesting one.
“Marilyn Monroe and Niagara—a raging torrent of emotion that even nature can’t control!” So screamed the poster for 1953’s Niagara, an enjoyably stodgy film that is, of course, particularly captivating to Western New Yorkers. This Technicolor thriller—dig that red satin dress!—was shot in Niagara Falls, Ontario, and watching it today one is touched by its aesthetic beauty, its importance in cinema history, and its sheer oddness.
This is a stodgy, rather silly little thing redeemed by Monroe’s smoldering performance. In her book The Marilyn Scandal, author Sandra Shevey refers to “the scenes with her lover (filmed in long shot) of their rendezvous in the bowels of the falls—those amazingly torrential downpourings as backdrops—are some of the most erotic scenes ever filmed. … It was in Niagara that Monroe really discovered where she was going and how to get there.”
It is downright shocking how little screentime Monroe actually has; the star of the movie is really the soon-to-be Mrs. Howard Hughes, Jean Peters. But it is Marilyn who fascinates, whether she is staring down her wet-blanket husband (Joseph Cotton) or contemplating how to cross back into the States. This era, of course, is when Niagara Falls was really Niagara Falls, “Wonder of the World.” This combination, of the Falls and Marilyn, still intrigues. Even the suite the actress stayed in, room 801 at the Crowne Plaza, draws curious visitors.
It is entirely possible that no film shot in or near Buffalo has had a greater impact. It might not be very, well, good, but there is no doubting Niagara’s significance.