“Whiplash” is one of the most exhilarating films in years, and certainly one of the finest of 2014. It’s also one that may end up severely misunderstood. Many reviews are taking the theme as very direct: The only way to become a great artist is through merciless practice, preferably under the tutelage of a tyrant.
I’m not sure it is quite so clear cut. Yes, the movie ends — SPOILER — with Andrew finally winning the respect and approval of the drill sergeant-esque Fletcher. For a few moments, at least. It is a victory, to be sure, but not necessarily an indication of stardom, or even greatness. This success does not mean director Damien Chazelle necessarily believes it was all worth it, or that he agrees with Fletcher’s methods. It is an ending, period.
There is also the much-debated Charlie Parker story. In the film, Fletcher uses it to demonstrate that “Bird”’s genius would never have been apparent were it not for the violent cymbal toss from drummer Jo Jones. As many have since pointed out, the anecdote is apparently incorrect. But that, too, does not mean Chazelle’s “argument” is flawed. I think Fletcher’s incorrect interpretation is actually more interesting, and more befitting of the character. Of course he would have it wrong!
Above all else, “Whiplash” is an actor’s showcase, and stars Miles Teller and J.K. Simmons are note-perfect. I cannot imagine anyone topping Simmons in this year’s Best Supporting Actor race, and Teller is deserving of a Best Actor. It is too bad that in a year filled with noteworthy lead performances, he is unlikely to snag a nomination.
Chazelle’s “Whiplash” is a four-star masterpiece, and will certainly end the year near the top of my 2014 10-best list. It is now playing in Buffalo, and is not to be missed.