More from my Film Stage top 10 list.
As the end credits rolled during TIFF’s first press and industry screening of Steve McQueen’s 12 Years a Slave, a peculiar thing occurred: very few people moved. Some quickly sprinted down the stairs, hurrying for their next screening, but many, like yours truly, just sat and stared, feeling emotionally overwhelmed by the experience. The film is that kind of success, a stunningly realized achievement that sees McQueen bring America’s most shameful period to the screen with a fury and authenticity the likes of which audiences have never seen. It’s rare to say a movie has no false notes, but such is the case with 12 Years a Slave, a film that, days later, may still leave viewers shaking.