As Jeff Simon put it in his Buffalo News review of “This is the End,” with that film, “Man of Steel,” and “Before Midnight” opening locally, “this is, far and away, the movie opening weekend of the year on my scorecard.” Indeed it is, one of the most wildly diverse release weekends in a long, long time.
The number one spot at the box office will most certainly be claimed by Zack Snyder’s Chris Nolan-assisted Superman reboot, “Man of Steel,” but the question is, how big will it open? Some estimates have it pegged at a $100-million weekend, but I’m not so sure. Reviews have been wildly mixed, and I’m still not quite sure I’ve seen a “wow” trailer, so I think $90 mill is a more likely figure. Nothing to laugh at, and in a relatively week summer, it could play well for several weeks. It’s easy now to forget that Nolan’s “Batman Begins” took in “only” $205 mill in North America, but that was in 2005, and for a budget at least $100 million less than “Steel”’s. Warner Bros. is likely hoping for $300-plus, enough to justify a costly “Justice League” follow-up. We shall see. I’ll have my own thoughts on the film here soon.
“The is the End” is something very different, a well-reviewed apocalypse comedy in which some of the Apatow generation’s biggest names — Seth Rogen (who co-directed with writing partner Evan Goldberg), James Franco, Danny McBride, Michael Cera, Jonah Hill — play themselves. I’m especially intrigued to see the lovely Emma Watson as “Emma Watson.” The buzz on this is that it is extraordinarily wild; it could represent one of the few imaginative big studio releases of the summer.
While I’m intrigued by “Man of Steel” and “This is the End,” the movie I am anticipating more than any other is Richard Linklater’s “Before Midnight,” which opens tomorrow at Dipson’s Amherst and Eastern Hills theaters. This is the third film in the “Jesse and Celine” series; the first, 1995’s “Before Sunrise” and 2004’s “Before Sunset,” are pretty close to modern classics. The idea of Ethan Hawke and Julie Delpy reprising their roles, and seeing where things are for this couple, which finally seemed to come together at the very end of “Sunset,” is intoxicating. It is one of the best reviewed films so far this year, and a possible Best Picture nominee, so this is certainly a must-see. More to come on this one, soon. (“Frances Ha” is still showing at Amherst and Eastern Hills, too.)
Note that the documentary “Hey Bartender” is screening Saturday night at the Amherst Dipson; I wrote about the film here.
Francis Ford Coppola’s most recent film, “Twixt,” finally arrived on VOD a few days ago, and ironically, his debut feature, the enjoyably daft “Dementia 13,” is showing on Friday and Saturday night at 9:15 p.m. at the Screening Room. (“Sorry, Wrong Number” screens at 7:30 p.m.)
Here’s something I’ll outline more in the weeks to come: Buffalo.com recently posted the schedule for the University at Buffalo’s outdoor summer film series, and it has some real gems, including “The Place Beyond the Pines.” The proceedings open with a movie that makes me very nervous, since I’ve felt from the get-go that it could be a disaster, Sam Raimi’s “Oz the Great and Powerful.” (I actually have it from Netflix right now. It’s staring at me, angrily.) It shows at 9:15 p.m. on Tuesday, June 18, and Friday, June 21, at the North Campus, and at 9:15 on Wednesday, June 19, at the South Campus.
Meanwhile, I’m a week late in mentioning Bacchus’s Summer Film Series, which is held in its quaint courtyard. The Buffalo-appropriate “Natural” kicked things off yesterday, June 12, but the series continues with “The Truman Show” next week, the 19th, and, even better, “The Big Lebowski” on June 26.
Superman, Seth Rogen, Julie and Celine, cocktails, Coppola, Oz, and a God-like Ed Harris? An eclectic week for movies, to be sure.
Photo credit: Left to Right: Ethan Hawke as Jesse and Julie Delpy as Celine. Photo by Despina Spyrou, Courtesy of Sony Pictures Classics.