Tag Archives: Man of Steel

A Mid-Summer Report Card: Pondering Superman, Monsters, and “The End”

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We’re at about the midpoint of summer, movie-wise, and it’s been a wild one, with a few hits, several high-profile bombs (“After Earth,” “White House Down,” “The Lone Ranger”), and some indie successes. I have not seen everything – still need to get to “Star Trek: Into Darkness” and “World War Z” – but here are some very brief thoughts on what I HAVE seen. (Note that even though I said “report card,” I’m sticking with the 4-star system.)

“Iron Man 3:”: Not a BAD film , exactly, but one that to my mind did nothing to move along the franchise. Robert Downey Jr.’s shtick has grown increasingly old, and I found the second installment far superior. That being said, Ben Kingsley gives his funniest performance on years. 2 1/2 stars

“Man of Steel”: There are some great moments here, and it will turn out to be, I think, a fine first chapter in a new Superman series. But it’s an odd film, and in some ways, a brutish, unrelentingly grim one. Still, I love Michael Shannon having a role in a blockbuster, and Henry Cavill, Amy Adams, Kevin Costner, and Russell Crowe each turn in solid performances. What’s up with the insane product placement? By the way, I’m fine with Supe the killer. I come down on the side of the semi-satisfied … barely. Because 2 3/4 is not allowed, I’m going 2 1/2 stars

“Monsters University”: I haven’t seen “Brave,” so I’ve yet to see EVERY Pixar film, but this felt like the weakest by far. It’s entertaining, as they all are, but wayyy too long. 2 1/2 stars seems low, but I gave the superior “Despicable Me 2” 3 stars, so …

“This is the End”: Funniest comedy I’ve seen in some time, and can’t wait to see it again. Backstreet’s back. Yes, I would have liked Michael Cera and Emma Watson to have stuck around a bit longer, but still. 3 1/2 stars

“Before Midnight”: Another insightful, smart, passionate burst from Linklater-Hawke-Delpy. The opening, with the son boarding the plane alone, still gets me. 4 stars

“Frances Ha”: I’ve made my feelings on this clear – still the best thing I’ve seen this summer. 4 stars

“Copperhead”: I’ll be writing a longer review of this one soon; it is compelling, well-acted, and a tad dry, but overall it works – if you care about the Civil War going in. 3 stars

“The East”: Impassioned, brisk, and utterly fake. 2 stars

“The Great Gatsby”: This came out during the summer? Feels like I saw it two years ago. 2 1/2 (being generous)

“Mud”: A twisty coming- of-age epic brimming with great moments and performances. 3 1/2 stars

“Despicable Me 2”: What can I say? It entertained me more than Superman and Iron Man. 3 stars

 

Rentals …

“Hyde Park on Hudson”: This one literally evaporates upon viewing. Even Bill Murray can’t save this dull, strange concoction. It’s a misfire on every level. 1 1/2 stars

“Warm Bodies”: Not particularly funny or clever, despite a game cast. 2 stars

“Mama”: Scary and silly on equal measure, “Mama” has just enough to qualify as slightly above-average horror. 2 1/2 stars

“Quartet”: I love Dustin Hoffman, and it is difficult to find a weak link in the cast, but his directorial debut makes “The Best Exotic Marigold Hotel” look like a Gregg Araki flick. 2 stars

 

More to come soon, including “Fill the Void,” “The Conjuring,” and, hopefully, “Stories to Tell.”

 

PHOTO BY: Suzanne Hanover © 2013 Columbia Pictures Industries, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

Weekend Preview: “Much Ado” About Brad, “Bling,” Brit, and “Monsters”

much ado still

Last weekend was pretty special, with “Before Midnight,” “This is the End,” and “Man of Steel” all opening, but guess what? This Friday is just as solid.

The biggies, of course, are “Monsters University” and “World War Z,” and we can expect these to land 1-and-2 (unless “Man of Steel” trumps Brad Pitt — more on that below) at the box office. How high will each go? That’s the question. It has been a shockingly quiet summer so far for straight family fare, so Pixar’s “Monsters, Inc.” sequel is dropping at the right time. It does seem that there has been less and less buzz with each new Pixar release since “Toy Story 3” in 2010 — “Cars 2” and “Brave” both did well enough, to be sure, but neither captured the zeitgeist as strongly as some other Pixar releases. I expect “Monsters” to make more dough than either “Cars 2” or “Brave,” and to play well into July.

Ahh yes, “World War Z,” that embattled, bloated, ending-challenged franchise-to-be. I’m not sure all that talk has hurt the film much, but then again, I never felt it necessarily had franchise written all over it. Reviews have been mixed so far, but the trailer look good, Brad Pitt is promoting the hell out of it, and it is rather unique in the summer lineup. I have not read Max Brooks’s book, but the changes Marc Forster and company made seem to make it a less interesting product. But there is nothing else quite like it this season, and you have to respect its ambition. I could see “Monsters” doing anywhere from $70 to $90 million, with “Z” ringing up $40 to $50 mill.

Where will “Man of Steel” fit into this equation? Zack Snyder’s reimagining of Superman opened so large — wayyy more than I predicted — that it could certainly beat “World War Z” to the number two spot. This second weekend will really determine if the film has “Dark Knight” legs, or “Amazing Spider-Man” legs. I expect the former.

Indie alert: This weekend sees the Buffalo release of three fascinating, unique films. I’ve seen two of them, and loved one.

First is the long-awaited release of a film I’ve prattled on about too often (for obvious reasons), Joss Whedon’s “Much Ado About Nothing.” I am anxious to see if the film will play as well to me now as it did on a Sunday morning at TIFF; I believe it will. It is exciting to see the smart, funny film make it to Buffalo. It’s showing at the Dipson Eastern Hills.

Brit Marling is near the top on my list of favorite young actresses, but her latest, “The East,” was a stunning disappointment, surprisingly. Its plot, about a former FBI agent going undercover with an eco-anarchist group, held great promise, but the execution is all wrong. It feels childish, horribly unsubtle, and worst of all, just plain phony. It will play, to some, and there are certainly successful elements, not the least of which is Marling’s performance. She, and director Zal Batmanglij, who last collaborated on one of my favorite films of 2012, “The Sound of My Voice” — will be back.

Lastly comes Sofia Coppola’s “The Bling Ring,” a glossy, stylized take on the real-life robbers who shocked Beverly Hills. As I mentioned yesterday, I’m a Coppola fan, and her aesthetic seems an ideal fit with this material. Even if the film as a whole seems iffy, it stars the increasingly wonderful Emma Watson and a WTF-supporting cast: Gavin Rossdale, Paris Hilton as herself.

A couple other quick screening notes: The Screening Room is showing Hitchcock’s “To Catch a Thief” at 7:30 p.m. on Saturday and Sunday; it is followed at 9:20 on Saturday with the noir classic “D.O.A.”

And in the outdoor series world, Bacchus screens the iconic “Big Lebowski” on Wednesday (June 26); the UB North Campus shows “Oz the Great and Powerful” on Friday and “Monsters, Inc.” on Tuesday (June 25), both at 9:15; and the UB South Campus offers “Despicable Me” at 9:15 on Wednesday (June 26.)

All in all, a unique weekend. But sadly, there are some grim weeks of blockbuster releases ahead …

 

Photo courtesy of Roadside Attractions

Wednesday Round-Up: Defending “Marie Antoinette,” Debating “Man of Steel,” and Keeping Up With Patrick Bateman

Marie Antoinette

The middle of the week means it is time for my usual round-up of some of the articles I’ve been digging this week, including a handy list of “movies to see” at the mid-point of 2013. I’ve seen my share, but I have plenty of catching up to do …

First: I’m not sure what it is about Sofia Coppola’s films that seems to garner such strong reactions. I’ve met few folks who are in the middle about her work — it’s a love/hate thing, it seems. Her latest, “The Bling Ring,” starring Emma Watson, appears to open Friday in Buffalo (there is some confusion, but it is listed on Fandango), and it seems to be as glossy and surface-oriented as the rest of her films. But I have actually liked that about them. “Marie Antoinette” seems to be the most love-it-or-hate-it of the Coppola filmography, and on the occasion of “Bling”‘s release, New York Magazine’s Vulture website is mounting a spirited defense.

As author Amanda Dobbins puts it:

To be fair, not everyone hated Sofia Coppola’s “Marie Antoinette.” New York’s David Edelstein called it “one of the most immediate, personal costume dramas ever made”; 55 percent of the critics on Rotten Tomatoes sided with him, to varying degrees. But seven years later, “Marie Antoinette,” loosely based on the best-selling Antonia Fraser biography, is probably Coppola’s least-loved film. It’s the one that got booed at Cannes (though of course it did, Cannes is in France); it is the one that didn’t live up to “Lost in Translation.” And if you are anti-Sofia, then it is probably the most obvious example of her worst tendencies: style over substance, minimal plot, overprivileged young women who refuse to speak in full sentences or really at all.

But I think I’m with Ms. Dobbins here: “I happen to love ‘Marie Antoinette’; it’s probably my second favorite of Coppola’s films, right behind ‘Lost in Translation.’ And while I understand some of the criticisms (specifically the part about no one using words, ever), most of its so-called weaknesses — even that famous pair of Chuck Taylors — are the reasons I enjoy it. For all its historical trappings, ‘Marie Antoinette’ is just a painfully hip period film about how annoying and fun and terrifying it is to be a teenage girl. It is a high-school movie transplanted to Versailles.”

And the rest:

  • Speaking of Sofia Coppola, Movie City News has posted her debut short from 1998, “Lick the Star.”
  • Bret Easton Ellis himself said “Keeping Up With the Kardashians” “star” Scott Disick would be an ideal Patrick Bateman in an “American Psycho” remake, but it took Kanye West to make it so.
  • I finally saw “Man of Steel” last night, and I’ll share some thoughts soon. (Let’s say I enjoyed it, with reservations.) The Playlist offers a solid breakdown of the best and worst of Zack Snyder’s Superman epic, and there are lots of good points here.
  • Roger Ebert’s birthday was yesterday, and his website offered up a nice list of films for which his review “made the difference,” including “Hoop Dreams” and “Dark Skies.”
  • Pitchfork’s new movie website, The Dissolve, has not launched yet, but its Tumblr site has, and the great Scott Tobias has posted the aforementioned “movies to see” so far in 2013 list, along with DVD and Blu-ray release dates for some.
  • Now the Rob Ford scandal is impacting the Toronto International Film Festival.
  • Will Brad Pitt’s “World War Z” flop? This writer seems to think so, and offers some convincing reasons why.
  • Yet another trailer for Nicholas Winding Refn’s “Only God Forgives,” starring Ryan Gosling.
  • Interestingly, after a mixed — well, mostly negative — response at Cannes, the filmmanaged to beat “Stories We Tell” and “The Act of Killing” for top honors at the Sydney Film Festival.
  • Lastly, Joss Whedon’s “Much Ado About Nothing” is finally set to open in Buffalo this weekend. Here is a nice Guardian interview about that film, “The Avengers,” his career, and more.

 

Photo Credit: Sofia Coppola
**ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

Weekend Preview: This is the (Week)end for Superman, Seth Rogen, and Jesse and Celine

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As Jeff Simon put it in his Buffalo News review of “This is the End,” with that film, “Man of Steel,” and “Before Midnight” opening locally, “this is, far and away, the movie opening weekend of the year on my scorecard.” Indeed it is, one of the most wildly diverse release weekends in a long, long time.

The number one spot at the box office will most certainly be claimed by Zack Snyder’s Chris Nolan-assisted Superman reboot, “Man of Steel,” but the question is, how big will it open? Some estimates have it pegged at a $100-million weekend, but I’m not so sure. Reviews have been wildly mixed, and I’m still not quite sure I’ve seen a “wow” trailer, so I think $90 mill is a more likely figure. Nothing to laugh at, and in a relatively week summer, it could play well for several weeks. It’s easy now to forget that Nolan’s “Batman Begins” took in “only” $205 mill in North America, but that was in 2005, and for a budget at least $100 million less than “Steel”’s. Warner Bros. is likely hoping for $300-plus, enough to justify a costly “Justice League” follow-up. We shall see. I’ll have my own thoughts on the film here soon.

“The is the End” is something very different, a well-reviewed apocalypse comedy in which some of the Apatow generation’s biggest names — Seth Rogen (who co-directed with writing partner Evan Goldberg), James Franco, Danny McBride, Michael Cera, Jonah Hill — play themselves. I’m especially intrigued to see the lovely Emma Watson as “Emma Watson.” The buzz on this is that it is extraordinarily wild; it could represent one of the few imaginative big studio releases of the summer.

While I’m intrigued by “Man of Steel” and “This is the End,” the movie I am anticipating more than any other is Richard Linklater’s “Before Midnight,” which opens tomorrow at Dipson’s Amherst and Eastern Hills theaters. This is the third film in the “Jesse and Celine” series; the first, 1995’s “Before Sunrise” and 2004’s “Before Sunset,” are pretty close to modern classics. The idea of Ethan Hawke and Julie Delpy reprising their roles, and seeing where things are for this couple, which finally seemed to come together at the very end of “Sunset,” is intoxicating. It is one of the best reviewed films so far this year, and a possible Best Picture nominee, so this is certainly a must-see. More to come on this one, soon. (“Frances Ha” is still showing at Amherst and Eastern Hills, too.)

Note that the documentary “Hey Bartender” is screening Saturday night at the Amherst Dipson; I wrote about the film here.

Francis Ford Coppola’s most recent film, “Twixt,” finally arrived on VOD a few days ago, and ironically, his debut feature, the enjoyably daft “Dementia 13,” is showing on Friday and Saturday night at 9:15 p.m. at the Screening Room. (“Sorry, Wrong Number” screens at 7:30 p.m.)

Here’s something I’ll outline more in the weeks to come: Buffalo.com recently posted the schedule for the University at Buffalo’s outdoor summer film series, and it has some real gems, including “The Place Beyond the Pines.” The proceedings open with a movie that makes me very nervous, since I’ve felt from the get-go that it could be a disaster, Sam Raimi’s “Oz the Great and Powerful.” (I actually have it from Netflix right now. It’s staring at me, angrily.) It shows at 9:15 p.m. on Tuesday, June 18, and Friday, June 21, at the North Campus, and at 9:15 on Wednesday, June 19, at the South Campus.

Meanwhile, I’m a week late in mentioning Bacchus’s Summer Film Series, which is held in its quaint courtyard. The Buffalo-appropriate “Natural” kicked things off yesterday, June 12, but the series continues with “The Truman Show” next week, the 19th, and, even better, “The Big Lebowski” on June 26.

Superman, Seth Rogen, Julie and Celine, cocktails, Coppola, Oz, and a God-like Ed Harris? An eclectic week for movies, to be sure.

 

Photo credit: Left to Right: Ethan Hawke as Jesse and Julie Delpy as Celine. Photo by Despina Spyrou, Courtesy of Sony Pictures Classics.

Wednesday Round-Up: Zod, Pixar, Critic-Bashing, and Brigitte Nielsen (of course)

zod

If you’re searching for film-related articles this week there’s a very good chance you’re reading about “Man of Steel,” which opens in theaters this Friday. And that’s where we kick off this week’s round-up:

  • The great Playlist ranks the Superman films from worst to best, and it’s hard to disagree with their list. I’ve pondered watching “Superman Returns” again one of these days, since I recall not hating it, in fact, rather liking. But I feel as if I cannot remember a single scene, and that means … something. (It could just mean I’m losing brain cells as I age.) It will be interesting to see where we’ll all rank “Man of Steel” on this list, and whether or not it will breathe new life into Krypton’s favorite son.
  • Incidentally, I am most intrigued by “Man of Steel”’s villain, Zod, played by the great Michael Shannon. I am dying to see his take on the iconic character; when I interviewed him for The Playlist back in 2011, he discussed his take on the Zod, and his respect for actor Terrence Stamp: “I found his performance so powerful that I would be overwhelmed by it if I tried to incorporate it into what I’m doing. There’s no reason to try and replicate it, because it’s perfect the way it is. I’m just trying to go down a different road with it; the script’s a little bit different than the original script. It’s going to have a different look and feel to it, visually. I’m looking forward to really settling into it, and playing with it.”
  • I could probably make these Wednesday round-ups include only Indiewire articles; every week, I’m impressed by the sheer number of interesting articles posted on the network of sites. Here is one from a favorite of mine, Eric Kohn, on Pixar’s upcoming “Monsters University.” I’ve spent a lot of time on Pixar lately, since my son’s favorite movie (today, at least) is “Toy Story 2.” I have not seen “Brave,” yet, but it certainly does seem as if Pixar is in a bit of a rut.
  • And one more from Indiewire, a pretty fascinating look at “critic bashing.”
  • If you follow movie news sites closely, you know Nikki Finke, and this is the latest news on … Well, I’m not sure what’s going on.
  • Life magazine features vintage photos of American drive-ins.
  • Will a film featuring an, um, wildly diverse cast that includes the late David Carradine, Brigitte Nielsen, Kerry Washington, Jeff Fahey, Steve Guttenberg, and Michael Madsen, and narrated by Peter O’Toole ever get released? And should we care?
  • I’ve been meaning to put together an “Upstream Color” feature for weeks, and I will, soon. Here is one of many insightful looks at the film, from the L.A. Review of Books.
  • Lastly, one of my favorite writers on film, and one who lives and works in Buffalo, Girish Shambu, takes on the concept of “vulgar auteurism.” Great comments here, too.

As always, these links are more can be found on my Twitter page, Twitter.com/FilmSwoon.
Michael Shannon photo from Warner Bros.’ “Man of Steel,” found on tgdaily.com.