Tag Archives: Behind the Candelabra

Wednesday Round-Up: Coppola, Cannes, Tarkovsky, and More

coppola

I feel like Wednesday is a good day for another round-up, and we start with some very cool news involving the man I like to call FFC:

  • The Hollywood Reporter says Francis Ford Coppola is working on “an untitled film that will chronicle an Italian-American family and span from the 1930s to the 1960s,” and that, my friends, is intriguing. In recent years, Coppola has made mention of mounting an epic drama (not his abandoned “Megalopolis”) and it sounds as if this could be it. Coppola’s most recent film, “Twixt,” was a fascinating mess. My colleague Jared and I saw it at TIFF 2011, and as I put it way back when, “while it was a joy hearing Francis Ford Coppola discuss his horror film ‘Twixt’ at a post world-premiere Q-and-A, he has made what is probably the worst film of his career. (‘Jack’ was scarier.)” Completists and the curious will be pleased to know that the Val Kilmer-starrer is coming to Blu-ray and DVD sometime in 2013.
  • Another interesting bit of FFC, also from The Hollywood Reporter, finds him discussing his role writing the screenplay for Robert Redford’s 1974 “Great Gatsby.”
  • Speaking of Robert Redford, the Cannes consensus seems to be that he gives an Oscar-worthy performance in J.C. Chandor’s “All is Lost,” the “Margin Call” director’s almost-dialogue-free survival story.
  • The last two films from director Claire Denis rank among my favorites in their respective years of release — “35 Shots of Rum” in 2008, and “White Material” in 2009 and that excites me for her latest, the controversial “Bastards.” As Mike D’Angelo put it for The AV Club, “Word from the first screening of Claire Denis’ ‘Bastards,’ inexplicably playing in Un Certain Regard rather than in Competition, was that it was nigh-well incomprehensible.” D’Angelo gave the film a B, comparing it with Olivier Assayas’s “Demonlover” (a film that’s sure to come up on this site sooner or later); it has already drawn a very, very mixed response, and I can’t wait to see it for myself.
  • Film Comment talks “Behind the Candelabra,” which premieres Sunday night on HBO and screened at Cannes to strong reviews.
  • I’m a bit crestfallen at the negative reactions to Nicholas Winding Refn’s “Only God Forgives” — yep, it got booed — although, quite honestly, I’m not shocked, either. Interestingly, Peter Bradshaw raves in The Guardian, but … That’s about the only truly positive review I’ve read so far.
  • Since I wrote about it a few days ago, “Blood Ties” has been picked up for American distribution by Lionsgate.
  • Manohla Dargis talks Cannes 2013, specifically the Coens’ “comedy in a melancholic key.”
  • Did you know that all seven of the late Andrei Tarkovsky’s films can be watched online, free?
  • And last, but certainly not least, it’s never too early for some Toronto Film Festival news: Deadline reports the Godfrey Reggio-directed “Visitors,” featuring music by Philip Glass and presented by Steven Soderbergh, will have its world premiere on September 8 at the suitably ornate VISA Screening Room at the Elgin Theatre. Reggio is the director of the much-loved “Koyaanisqatsi.”

 

Photo from The AV Club