Most of the films I was sad to miss at TIFF 2013 have not yet been released, although there are a few — Rush and Enough Said come to mind — that I simple have been unable to catch up with. Happily, though, there are a few that I was horrified to miss that I have been able to see. It seems funny now to remember how I gazed at the TIFF schedule, desperately seeking a way to fit in Dallas Buyers Club and Gravity, for example. It seems especially silly since I knew those were coming soon. Every year I tell myself I need to see more films that I’ll likely never come upon again …
Anyway, the five films below are TIFF selections I was able to see since the festival ended. It’s a solid group … mostly. (Incidentally, All Is Lost did not play TIFF, but would have been listed below with 4 stars if it had.)
Bastards — 4 stars
Dark, disturbing, and unforgettable, Claire Denis’ film is a brutal, noir shocker. There are images — blood running down a dazed, naked girl’s legs; the inside of a hellish barn; one of the most mesmerizing night driving sequences in film history — as brilliantly composed as any in recent memory.
Blue is the Warmest Color — 4 stars
I have already written a bit about Blue; suffice to say, I adored it. It has been interesting to see more of the backlash develop, and read some harsh criticism of the film. There are some valid thoughts there, but I stand by my belief that this is a very special love story, and one of the finest films of this year.
Dallas Buyers Club — 3 stars
I just saw Dallas, and I must admit, I’m still wrestling with my verdict. It is a highly watchable, very entertaining film, with strong performances from Matthew McConaughey and Jared Leto. It does a fine job of establishing its place (Texas) and time (the mid-80s to the late-90s). Perhaps … it seemed more entertaining than it should. This is, after all, a film about the AIDS crisis. For the moment, I am going with 3 stars. It’s a fine film — I just can’t decide if I can call it a great one.
Gravity — 3 stars
Alfonso Cuaron’s Gravity is another tricky one. Make no mistake, it is a stirring cinematic achievement, a technical wonder, and a real experience. But the writing is awful, the characters poorly drawn, and, as a friend pointed out after seeing it at TIFF, Gravity is essentially a survival story, nothing more. All Is Lost does a far better job of reaching beyond the genre’s limitations. Still, what a wonder!
Parkland — 2 stars
Pre-TIFF, I was very interested in this Kennedy assassination drama. Its central concept — a multi-character look at how that day affected individuals like Abraham Zapruder — is fascinating. But the resulting film is dull and unmemorable. Its heart is in the right place, but Parkland takes one of the most complex moments in American history and renders it … sleepy.