“Blue” Draws Raves and Criticism (But Mostly Raves), Warner Bros. Gangster Classics, and More

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A few quick hits on this Memorial Day.

  • Todd McCarthy breaks down the Cannes winners for the Hollywood Reporter: “Whether it had won or not, this was already destined to be the year of ‘Blue Is the Warmest Color,’ given how everyone had to see it just for the unprecedented and protracted realistic sex scenes between Adele Exarchopoulos and Lea Seydoux in Abdellatif Kechiche’s close-up, three-hour portrait of a female love affair.”
  • Manohla Dargis takes issue with “Blue,” and it will be interesting to see if her opinion will be shared my other major critics as “Blue” heads to the States: “‘It’s disappointing that Mr. Kechiche, whose movies include ‘The Secret of the Grain’ and ‘Black Venus’ (another voyeuristic exercise), seems so unaware or maybe just uninterested in the tough questions about the representation of the female body that feminists have engaged for decades. However sympathetic are the characters and Ms. Exarchopoulos, who produces prodigious amounts of tears and phlegm along with some poignant moments, Mr. Kechiche registers as oblivious to real women.”
  • However, reports Michael Phillips, “Spielberg and his fellow jurors took the unusual step of awarding the top prize not simply to director and co-writer Kechiche, but to the film’s two lead actresses. The jury, he said, felt ‘privileged’ to watch this three-hour film of ‘deep love, deep heartbreak’ evolve at its own pace and rhythm.”
  • I take a look at Warner Bros. new “Ultimate Gangster Collections” today on buffalospree.com. The sets, divided into “classic” and “contemporary,” are pretty stunning; perhaps the film I’m most looking forward to watching again is Michael Mann’s “Heat.” It’s sad to think that De Niro and Pacino have made only a handful (if that) of relevant films since then. But my goodness, that L.A.-set crime epic is pretty special.
  • Speaking of Michael Mann, Ignatiy Vishnevetsky recently penned an interesting short analysis of the director’s “Miami Vice” film, a movie that was received with a collective shrug upon release but now, he says, “has emerged as a major touchstone for my generation of critics. If you’re young and you’re writing seriously about the medium, there’s a good chance that you’re a ‘Miami Vice’ fan.”
  • The “Much Ado About Nothing” hype machine will soon go into overdrive, which kind of thrills me, since I’m hoping to see my name continue popping up. It is NOT mentioned in this NY Times piece, but it’s a good read all the same.

It’s a lovely, sunny Memorial Day in Buffalo — time to get away from the computer and enjoy it.

Image of Cannes winners Abdellatif Kechiche, Léa Seydoux, and Adéle Exarchopoulos, courtesy of the Chicago Tribune

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